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                <text>Howard Richards papers [Box 7, folder: Augustus Richards’ letters 1848-1851]</text>
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                <text>I. Knopf, fine shoes, also trunks &amp; valises. 822 Market St. Phila. [graphic].</text>
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                <text>Racist trade card promoting I. Knopf’s shoe store and depicting a racist caricature of an African American man portrayed with exaggerated features and carrying two bouquets of flowers. Shows the rotund, African American man attired in a yellow hat, a monocle, a white shirt with a red striped collar, a blue bowtie, a yellow waistcoat with red checks, a purple jacket, white gloves, yellow pants, and brown shoes. He holds up two multi-colored flower bouquets, including red roses and white daisies, in his hands. Isidor Knopf (1848-1934) had a store selling shoes and luggage at 822 Market Street, Philadelphia in the 1880s. In the 1900s, he became a pawnbroker at 2501 Frankford Ave., Philadelphia. He advertised in the newspapers as I. Knopf &amp; Sons when he sold forfeited clothing and jewelry from his pawnbroking business as late as 1910.</text>
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                <text>If you want to be stylishly shod and comfortably fitted, bring your feet to Lee Reinberg, shoe man, 7 and 11 S. George St., York, PA. [graphic].</text>
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                <text>[New York]: C.R. Gibson &amp; Co., 1901.</text>
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                <text>Parody of Cervante’s Don Quixote satirizing events from the Jackson presidency, particularly his destruction of the Bank of the United States, depicting Jackson as Quixote and Van Buren as Sancho. Contains twelve titled scenes: (1) "Signor Don Quixote" seated in a study surrounded by books adressing character flaws, weapons, and paintings of notable dictators Nero and Dionysus; (2) "Don Quixote Receiving his Degree" in front of a group of amused spectators; (3) "The Don Attacking Certain Bags in a Certain Public House", an allusion to Jackson’s removal of the federal deposits from the Bank of the United States showing political opponents Clay and Webster attempting to stave offthe attack; (4) "Certain Carriers Approaching Don Quixote" depicting Jackson and Van Buren confronted by a crowd protesting the removal of the federal deposits; (5) "Don Quixote’s Attack on the Giants" (i.e., the Bank of the United States) under the view of Van Buren; (6) "Don Quixote’s Interview with the Canon," probably pro-Jackson newspaper editor Francis Blair, with whom Jackson discusses becoming an "Emperor" and promoting Van Buren’s career; (7) "Don Quixote Chagrined at the statement of Nicholas" Biddle, who refuses to give up funds and documents committed to the Bank by Congress; (8) "Private Confab Between Sancho &amp; his Master" in which Van Buren’s poor public image is discussed; (9) "The Don &amp; Sancho with Eyes &amp; Ears Stopped Mounted on their Hobby," an allusion to the influence of Jackson’s "Kitchen Cabinet" of informal advisors on the President’s policy decisions; (10) "Don Quixote addressing certain Bound captives whose liberation he in vain attempted to accomplish," a reference to Jackson’s failed attempt to remove the pension fund from the Bank; (11) "Constitutional Insanity (i.e.) The Don about to Figure It on Board Ship" depicting Jackson and Van Buren in front of the idle warship the "Constitution"; and (12) "The Knight on His Way Home &amp; Sancho in the High Road to Promotion" depicting Jackson returning to his Tenessee estate while Van Buren is tossed into the air on an 1837 map of the United States by several men, including the cartoon’s artist David Claypoole Johnston.</text>
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                <text>Johnston, David Claypoole, 1799-1865 etcher.</text>
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                <text>Library Company of Philadelphia </text>
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                <text>[Boston: s.n., 1837]</text>
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                <text>1 print:  etching;  28 x 30 cm.(11 x 12 in.)</text>
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                <text>political cartoons - 1837-2 [5760.F.44]</text>
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                <text>In the land of cotton [graphic].</text>
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                <text>African American boys -- Caricatures and cartoons.</text>
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                <text>Cotton plantations.</text>
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                <text>Racist trade card promoting Hart &amp; Smith’s steamboat route on the Indian River in Florida. Depicts caricatures of African Americans picking cotton on a plantation. Shows an African American man, attired in a hat, a blue collared shirt with the sleeves rolled up to the elbows, and blue pants, bending over and putting cotton into a large basket. To the left of the man, an African American boy, attired in an orange, short-sleeved shirt and orange pants rolled up to the knees, places cotton into the same basket. In the left, an African American woman, attired in a white headkerchief, a blue shirt and apron, and an orange skirt, bends over to pick up a basket overflowing with cotton. Behind her, an African American woman, attired in an orange dress, apron, and a blue checked shawl, stands with her right hand on her hip and her left hand balancing a large basket on top of her head. A man, attired in a white collared shirt with the sleeves rolled to the elbows and blue pants, walks and steadies a basket on his left shoulder with both hands. In the center background is a large wooden structure and a person picking cotton. In the right background a man attired in a hat sits on a horse and holds his right arm out to two people, one of whom carries a basket on their left shoulder. Hubbard L. Hart (1827-1895) ran the most prominent steamboat line in Florida, helping to make it a tourist destination. In 1883, the Hart Line began a steamboat route on the Indian River. After Hart’s death in 1895, his brother-in-law operated the business into the 1920s, when automobile travel rendered it obsolete.</text>
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                <text>Library Company of Philadelphia</text>
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                <text>[Boston] : J.H. Bufford’s Sons, 1882.</text>
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                <text>1 print :  chromolithograph ;  sheet 7 x 11 cm (2.75 x 4.5 in.)</text>
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                <text>Goldman Trade Card Collection - Hart [P.2017.95.79] </text>
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                <text>Indigent Widows' and Single Women's Society of Philadelphia records [1830-1832]</text>
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                <text>The Indigent Widows and Single Women's Society of Philadelphia was founded in 1817 by Sarah Ralston, a Quaker. She organized this charitable organization for women of good "Christian" character. The name was eventually changed to the Ralston House when the organization admitted men. Correspondence, 1824-1862, account books, and other business papers.</text>
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                <text>Io. Benedicti Sinibaldi archiatri, et professoris Romani, Geneanthropeiæ, sive, De hominis generatione decateuchon : ubi ex ordine quaecunque ad humanæ generationis liturgiam, ejusdemque principia, organa, tempus, usum, modum, occasionem, voluptatem, aliasq[ue], omnes affectiones, quæ in aphrodisiis accidere quoquomodo solent, ac possunt, plene, methodice, &amp; jucunde pertractantur : adjecta est Historia foetus Mussipontani. [annotations]</text>
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                <text>Sinibaldi, Giovanni Benedetto, 1594-1658.</text>
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                <text>Library Company of Philadelphia</text>
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                <text>Francofurti [i.e., Frankfurt] : Sumptibus Johannis Petri Zubrodt, Anno M. DC. LXIX [i.e., 1669]</text>
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                <text>Sev Sini Log. 357.Q </text>
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